
This weekend I finished the Lost Symbol, Dan Brown’s latest venture into the hidden secrets of people smarter than you. If you’ve read the Da Vinci Code, or seen the movie, this is more of the same; the enlightened few protecting “the truth” from the imprudent masses. (cue Jack Nicholson yelling: “You can’t handle the truth!”)
Symbol isn’t as good as Da Vinci Code, it’s more about crafty puzzle solving and less about the Masonic order that conspiracy fanciers obsess over. Of course the book is formulated suspense to its rotten core, a mini cliff hanger ends every short chapter which, for me, got old quick. A less than believable ending twist and a laughable would-be international crisis divest what little interest the book was able to build in its 500 pages.
My reaction to Dan Brown’s last two offerings have been something less than outrage or illumination, and I think that’s what really annoys me about this book. Brown is getting the last laugh though; he’s built a fortune by writing formulaic books about hidden scandalous truths that aren’t secret, scandalous or true. Still, he’s a crafty guy.
Dig his method: First he finds some little shred of long-dismissed religious heresy and uses it to trump up a story. Only a select few know “the truth,” which if revealed would shake the world’s religious faith and foundation. Those harbingers of reality have to keep the secret under wraps to protect it’s power from the fragile small minds us dolts who buy Dan Brown books by the thousands (Our author is part of the “in the know” crowd by the way). Finally Brown laughs all the way to the bank because we read the books not even realizing that he’s insulting our intelligence and religious sophistication…and yet our faith is not shaken, the church does not implode and at the end of the day we somehow still know that God is God and we aren’t.
Still, Brown writes with a certain fervor, I think he believes he’s educating the world.
Furthermore, the scandal of Brown’s disclosure of “truth” is all stuff I’ve heard before. I’ll admit that there is more truth to many of his claims than conservative Christians care to admit, but these are generally inconsequential half-truths downplayed or ignored because they have little to do with revelation. Brown lives in the minutia, and where he gets many factoids right he keys on them in a way that distorts their place.
The last thing that irritates me about this book is that Brown takes a several shots at groups (particularly religious ones) who claim to know truth…but just a few pages later his characters are making their own exclusive claim on truth, except theirs, of course, is the “real truth.”
I thought it was interesting that Brown referenced Dürer’s engraving Melencolia I (above) as an expression of mankind’s frustration over our inability to become gods…that guy does look discouraged (Ezekiel 28:2). It’s how I feel after reading this book. Had the book been more about the Mason’s secret society and less about Brown’s misguided religious agenda it would have been more interesting. But then again, as one of the sop-headed masses, I might not know the truth if it were hidden in plain sight.
Symbol isn’t as good as Da Vinci Code, it’s more about crafty puzzle solving and less about the Masonic order that conspiracy fanciers obsess over. Of course the book is formulated suspense to its rotten core, a mini cliff hanger ends every short chapter which, for me, got old quick. A less than believable ending twist and a laughable would-be international crisis divest what little interest the book was able to build in its 500 pages.
My reaction to Dan Brown’s last two offerings have been something less than outrage or illumination, and I think that’s what really annoys me about this book. Brown is getting the last laugh though; he’s built a fortune by writing formulaic books about hidden scandalous truths that aren’t secret, scandalous or true. Still, he’s a crafty guy.
Dig his method: First he finds some little shred of long-dismissed religious heresy and uses it to trump up a story. Only a select few know “the truth,” which if revealed would shake the world’s religious faith and foundation. Those harbingers of reality have to keep the secret under wraps to protect it’s power from the fragile small minds us dolts who buy Dan Brown books by the thousands (Our author is part of the “in the know” crowd by the way). Finally Brown laughs all the way to the bank because we read the books not even realizing that he’s insulting our intelligence and religious sophistication…and yet our faith is not shaken, the church does not implode and at the end of the day we somehow still know that God is God and we aren’t.
Still, Brown writes with a certain fervor, I think he believes he’s educating the world.
Furthermore, the scandal of Brown’s disclosure of “truth” is all stuff I’ve heard before. I’ll admit that there is more truth to many of his claims than conservative Christians care to admit, but these are generally inconsequential half-truths downplayed or ignored because they have little to do with revelation. Brown lives in the minutia, and where he gets many factoids right he keys on them in a way that distorts their place.
The last thing that irritates me about this book is that Brown takes a several shots at groups (particularly religious ones) who claim to know truth…but just a few pages later his characters are making their own exclusive claim on truth, except theirs, of course, is the “real truth.”
I thought it was interesting that Brown referenced Dürer’s engraving Melencolia I (above) as an expression of mankind’s frustration over our inability to become gods…that guy does look discouraged (Ezekiel 28:2). It’s how I feel after reading this book. Had the book been more about the Mason’s secret society and less about Brown’s misguided religious agenda it would have been more interesting. But then again, as one of the sop-headed masses, I might not know the truth if it were hidden in plain sight.






